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A Veranda house tour details designer Ashley Whittaker’s work in a 1930s neo-Georgian estate in Greenwich, Connecticut. The interiors combine historic architecture with vivid color, patterned fabrics and spaces adapted for family life and entertaining; the project remains ongoing.
Veranda has published a tour of a 1930s neo-Georgian estate in Greenwich, Connecticut, where designer Ashley Whittaker has paired historic details with lively colors, patterns and rooms designed for everyday family use. The residence, owned by a family with five sons, shows how an older house can retain its formal character while accommodating contemporary routines and entertaining.
One of Whittaker’s favorite spaces is an intimate game room, furnished with a wool-covered banquette, brass drinks tables and an antique Russian cabinet stocked with dominoes, cards and board games. Pierre Frey’s pairing of two 18th-century Indo-Persian borders gives the walls an unconventional take on stripes. Whittaker described the room as playful without losing its elegance.
The estate sits on about six acres and includes a swimming pool, pool house and two detached garages, one with a guest apartment. The house grew over time, including the addition of wings in the 1990s. Architect George Knight, whose New Haven firm works on historic Connecticut homes, had previously overseen an update to the property. He and Whittaker worked to improve its flow and make the rooms feel more suited to family life.
In the 30-foot living room, two seating areas and velvet sofas help make a large space work for both gatherings and quieter evenings. Whittaker mixed botanical, ikat and chevron upholstery in blues, greens and earthy taupes, offset by creamy Venetian plaster walls and a landscape photograph by Carol Greenan Bouyoucos. In the dining room, glossy peacock-blue paneling and white chevron floor bands bring a strong graphic contrast to the antique mahogany table and porcelain collection.
Historic Rooms Adapted for Family Life
The tour’s central design story is the balance between preserving an older home and making it function for its current occupants. Knight reworked the kitchen as a social space, rather than keeping it in the background, and altered a back stair so children can move easily from their bedrooms to the kitchen. A widened doorway also improves the connection between the kitchen and family room.
Whittaker’s furnishings address another challenge common to large historic houses: making formal rooms feel usable at different scales. The living room is arranged for both large cocktail gatherings and small groups, while the game room gives recreation a place within an otherwise stately setting. These choices offer readers a concrete example of how a home’s architecture and decoration can support modern family routines without stripping away its period identity.
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A Greenwich House With Several Eras
The homeowners bought the property about five years before the report, after deciding to leave New York City for more space for their five active, sports-playing sons, then aged eight to 18. The house’s wings and supporting buildings reflect its long evolution, rather than a single period of construction.
Knight had helped the wife search for a home and was familiar with the estate because he had worked on an earlier renovation. His previous knowledge of the building informed the new work. The designers retained the house’s historical character while updating areas that had originally separated service functions from entertaining spaces.
““There’s a playfulness to the space. It doesn’t take itself too seriously, but at the same time, feels elegant.””
— Ashley Whittaker, interior designer
Further Work Is Still Underway
Veranda reports that Whittaker’s work on the house is ongoing, and that she and Knight are creating a new addition, but the supplied report cuts off before describing it. Its size, purpose, design and expected completion date are not provided. The article also does not give renovation costs or a full construction timeline.
The account is a design-magazine house tour, not a technical assessment of the property. It describes the designers’ choices and the owners’ home, but does not provide independent evaluations of the renovation or detailed information about the house’s construction history.
Details on the New Addition
The next development described in the report is the planned addition by Whittaker and Knight. No further details or completion schedule are included in the source material, so its design and impact on the existing house remain unknown. The project’s ongoing status means the estate may continue to change beyond the rooms shown in the tour.
Key Questions
Where is the estate?
The residence is in Greenwich, Connecticut, on about six acres.
Who designed the interiors?
Ashley Whittaker decorated the home. Architect George Knight worked with her on changes to the house’s layout and circulation.
What makes the game room distinctive?
The room combines a wool-clad banquette, brass drinks tables and an antique cabinet filled with games. Its wall treatment pairs two 18th-century Indo-Persian borders in an unexpected arrangement.
Is the renovation complete?
No. The report says Whittaker’s work is ongoing and mentions a new addition being developed with Knight, but it gives no further details or timeline.
Source: veranda.com
